Transparent LED Film vs Cabinet Price (2026): Indoor Glass

Quick answer

Indoor transparent LED costs about US$486–US$1,096 per m² (US$45–US$102 per sq ft) as framed cabinets and US$762–US$2,985 per m² (US$71–US$277 per sq ft) as film bonded to the glass, depending on pitch. For a 4 × 2 m (13.1 × 6.6 ft) shop-window display, EA1000TiF2 cabinets cost about US$3,888–US$8,768, EA-iFilm2 film US$6,096–US$12,984 and EA250INV film US$9,776–US$16,192. Choose film when the glass must keep most of its view and a frame is not acceptable; choose cabinets when 60% transparency is enough, you want more brightness for the money, and there is space to service them from behind.

Sources used: EA250INV specifications; EA1000TiF2 specifications; EA-iFilm2 specifications; EA1000TOF2 specifications

Settle what the glass must preserve, how close customers stand and where the equipment goes before comparing prices.

Transparent LED price by product and pitch

Reference ex-factory prices from the EagerLED Aug 2026 price list, in USD, for the standard configuration; final pricing is subject to a formal quotation. They exclude the controller, power supplies outside the modules, mounting, freight and installation. All listed entries specify 3,840 Hz refresh. Transparent pitches with two numbers, such as P3.91–7.82, have different horizontal and vertical spacing.

For a solid indoor wall instead, see the indoor LED screen price guide; for outdoor walls, the outdoor LED screen price guide.

A 4 × 2 m shop window compared

For an uninterrupted 4 × 2 m rectangle of 8 m² (86.1 sq ft) inside a shop window:

At the same P6.25, EA250INV costs less than EA-iFilm2 and is twice as bright (4,000 against 2,000 cd/m²), while EA-iFilm2 is more transparent (92% at P6.25) and bends to curved glass. The cabinet options cost far less but leave a frame and give 60% transparency. Two EA1000TiF2 P3.91–7.82 versions differ in brightness and scan (2,500 cd/m² at 1/16 against 4,500 cd/m² at 1/8), so the US$152 per m² gap buys brightness, not pitch.

Which option fits which window

Content that works on transparent screens

Transparent screens behave differently from solid walls. Black pixels are switched off and let the view through, so design content with bright objects on black backgrounds rather than full-screen colour; a white or full-colour frame blocks the window and looks washed out. Keep text large and short, use motion to catch the eye of people walking past, and leave parts of the screen empty so shoppers still see the products behind. Test the playlist at the window during trading hours, because what looks bold on a monitor can disappear against a busy shop interior.

Define what the glass must preserve

Record the usable panes, the viewing positions and the scene that should stay visible behind the display. A shop window may need to show merchandise through the glass while carrying a moving logo; a museum partition may prioritise the view through; an office facade may need daylight to keep reaching the desks.

• EA250INV film is about 2 mm thick, mounts directly on suitable indoor glass, weighs about 1.3–1.5 kg per module depending on size, and keeps 70–90% transparency depending on pitch and configuration.
• EA-iFilm2 is self-adhesive flexible film, about 2 mm thick, with 90–95% transparency; the P6.25 version uses 1000 × 400 mm modules, weighs 1.3 kg and is 92% transparent.
• EA1000TiF2 uses fixed indoor cabinets of 1000 × 1000 mm and 1000 × 500 mm with 60% transparency and rear-access maintenance through an openable cover; the large cabinet weighs 6.7 kg.

Test content, pitch and transparency together

Build the demonstration around the owner’s logo, the smallest text and a typical animation, and view it from the closest customer position and along the normal approach to the window. Transparent screens look best with bright graphics on black backgrounds, because black pixels are off and let the view through; large white areas block it. The pixel pitch and viewing distance guide explains how to choose pitch.

Prepare media at the native canvas, not the physical window size, and confirm how the controller maps content onto unequal horizontal and vertical spacing. For EA250INV, ask for the transparency of the exact quoted configuration rather than the top of the family range.

Match brightness to the window’s lighting

Shop windows see daylight from outside and display lighting from inside. Film at 2,000–4,000 cd/m² suits interiors and shaded windows; cabinets at 4,500–5,000 cd/m² hold up better in a sunny street window. Review a sample under the real lighting at the busiest trading hours, against the real view through the glass rather than a dark backing, and record the brightness setting used for approval. Set a lower level for evenings.

EA250INV and EA-iFilm2 list 16-bit greyscale, and EA250INV contrast up to 9,000:1. If the window will be photographed or filmed, test with phone cameras.

Mounting, curves and equipment space

Direct glass mounting needs confirmation of the actual surface: send the glass specification, coatings and condition, with photographs of edges and joints, and agree who approves suitability and who prepares the surface. For curved glass, EA-iFilm2’s flexibility supports the discussion, but there is no universal bend radius; ask for a drawing of the approved module arrangement.

The 2 mm film describes the display material, not the depth of every connection. Show power and control equipment, cable exits and covers on a section drawing, and for divided glazing place complete modules on each pane; modules cannot be trimmed to fit.

Service and power

EA1000TiF2’s rear cover means the space behind the cabinet is part of the design: plan how a technician reaches it. For film, ask for a demonstration of module replacement on the chosen mounting and the approved glass-cleaning method.

Power differs by product. EA1000TiF2 lists IP33, −20 to +60 °C, 220 W/m² average and 800 W/m² maximum, so the 8 m² window needs about 6.4 kW at maximum. EA-iFilm2 lists IP30, −20 to +55 °C, 200 W/m² average and 600 W/m² maximum. All three indoor products are for indoor installation; a screen facing the street from inside the glass is still indoors, but heat behind sunny glass can be high, so plan ventilation.

Outdoor and rental transparent screens

For a facade or display outside the glass, use an outdoor transparent cabinet. EA1000TOF2 is a fixed outdoor transparent screen with 60% transparency and rear service, at US$797–US$873 per m² for P3.91–7.82 (4,500 cd/m²) and US$629–US$743 for P15.6–P10.4 (5,000 cd/m²). For events, EA1000TOR1 rental transparent cabinets cost US$423–US$502 per 1000 × 500 mm cabinet. The shopping mall atrium LED display guide covers large indoor atrium glass.

Separate display rates from the installed project

Ask each bidder for the same scope schedule, marking every item included, excluded or optional, and keep the chosen configuration at the top so a lower total cannot hide a change in brightness or format. Approve a marked drawing, configuration schedule and content demonstration together before ordering, and check the delivered screen against them.

Frequently asked questions

How much does transparent LED film cost?

EA-iFilm2 costs US$762–US$2,985 per m² from P20 to P4, and EA250INV US$1,222–US$2,024 at P6.25–P3.91. A 4 × 2 m window costs about US$6,096–US$16,192 in film.

Is transparent LED film cheaper than transparent LED cabinets?

No. Cabinets cost less per m² (US$486–US$1,096 for EA1000TiF2) and are brighter, but they have a frame, 60% transparency and need rear access.

Which transparent LED is most see-through?

EA-iFilm2 film at 90–95%, then EA250INV at 70–90%, then cabinets such as EA1000TiF2 at 60%.

Can transparent LED film go on curved glass?

EA-iFilm2 is flexible and can follow curved glass, but there is no universal bend radius; ask for an approved module layout for your curve.

Can a transparent LED screen be used outdoors?

Indoor film and cabinets cannot. For outdoor use, choose an outdoor transparent cabinet such as EA1000TOF2, at US$629–US$873 per m².

What content works best on a transparent LED screen?

Bright graphics and products on a black background, with short text and plenty of empty space. Black pixels are off and keep the view through the glass.

Does the same P6.25 label make film products interchangeable?

No. EA250INV and EA-iFilm2 at P6.25 differ in brightness, transparency, module size and price. Compare the exact configuration.

Send your glass drawings, viewing positions and content to request a quote.